The laws of ten able-bodiedness and the natural creation do non hold in the adventures of Alice. Because one's finger of reality is based on a verify that logic and physical laws will hold true, Alice's very sense of reality is undone. However, for the most part, what marks Alice as a heroine is that she is twain highly adaptable and exceptionally good-natured nigh her ordeal. The role behind the poem about the sea, however, shows no willingness to adapt or to come to even some kind of a tranquil compromise with the sea he hates, although playfully.
From the beginning of Alice's story and the coney who speaks English and carries a watch, she must deal with situations which her mind is non equipped to deal with. But Alice learns that she is stronger than she believes, whatever the reality or danger or curiosity she faces. However, this does not mean she is able to make sense of what happens to her, although she certainly tries to make sense of it. Alice is much or less bewildered for most of her adventures in the both books, but she does eventually assert herself as an individual up to(p) of affecting even such an unreal reality. In Alice, she in the force out stands up for herself, defies the Queen and the Court and the absurd laws and customs of the world of Wonderland.
In doing so, she "awakens" or at least returns to the reality she left behind at the beginning of th
The poem can be seen as an adult belief of life and nature, in contrast with the child's view of the Alice books, although certainly the poet maintains a sense of humor about his loathing of the sea:
That I hate, but the thing that i hate the most
About this passage, Guiliano writes, "though this passage stops short of the full implication of its mordant conclusion, it remains the most explicit expression in the unscathed of Carroll's work of what was essentially both a dread of demolition and a delight in the contemplation of it" (Guiliano 177).
Nevertheless, the bulk of both Alice books are marked by far to a greater extent laughable playfulness than with any preoccupation with death and the darker or more serious aspects of existence. Still, even in the apparent nonsensical or contradictory passages, Carroll always includes consideration of the meaning of reality. Just as Alice ends with the question of what is real and what os a dream, so does Looking-Glass end with the same question. Alice questions her kitten about the meaning of her adventures on the other side of the mirror:
Some critics, as Kelly writes (71-72), argue that Carroll wrote Alice not for children but for adults. However, in the end of Alice, Carroll makes clear that the book was thusly written for children as well as for any adults clear of keeping their inner child alive. In that final passage, Alice thinks about her younger sister
---. "A Sea Dirge." The Lewis Carroll Book. New York: Dial, 1936. 119-121.
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